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RELEASE INFO:
Plogue Bidule v0.9745 (Mac OSX) | 175 MB
The brainchild of Plogue Art et Technologie is a cross-platform application that is gaining recognition world-wide as the new standard in modular music software.
Bidule is used by thousands of musicians worldwide Bidulists from the all over the world have gathered on the forums at the Plogue Web site to get their questions about Bidule answered, as well as share their music and Bidule inventions.
Is this a familiar picture? Cables lead from a microphone input into a small digital effect. More cables connect the effect to a mixer. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects.
It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. As he performs, a musician decides to add an LFO to a synth's filter cutoff knob, where no LFO existed before. Sound crazy? Not anymore. The new paradigm of computer audio can be summed up in two words: "real-time" and "modular" - both of which are embodied by one application.
The brainchild of Plogue Art et Technologie is a cross-platform application that is gaining recognition world-wide as the new standard in modular music software.
Bidule is used by thousands of musicians worldwide Bidulists from the all over the world have gathered on the forums at the Plogue Web site to get their questions about Bidule answered, as well as share their music and Bidule inventions.
Is this a familiar picture? Cables lead from a microphone input into a small digital effect. More cables connect the effect to a mixer. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects.
It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. As he performs, a musician decides to add an LFO to a synth's filter cutoff knob, where no LFO existed before. Sound crazy? Not anymore. The new paradigm of computer audio can be summed up in two words: "real-time" and "modular" - both of which are embodied by one application.
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